I’m not done missing Taiwan yet. Just the other day I checked the weather there, as I’m back in frigid central Pennsylvania, and was met with a beautiful cross-section of climates of my loved ones.

Wicked differences, no?

I realize now that I somehow failed to notice that Philadelphia was in Fahrenheit, while all the others showed Celsius, but the important thing is that Taipei and Munich are 17 °C and -17 °C, respectively. Isn’t that wild?

And for the record, I did not boot into OS X specifically to snap a screenshot of pretty weather widgets. I was actually there to fsck a troublesome HFS+ drive which for some reason refuses to respond to the fsck.hfsplus packages I currently have configured in Linux.

I’m home, so to speak. I even bypassed Philadelphia in favor of spending the holidays at my mother’s place. Life is quiet and snowy, and vibrant with animal life.

I’m not entirely adjusted to the time change yet—for example, I’m writing this at 9am on a Sunday morning, because I’d run out of interesting things to do online—but that’s in many ways a good thing, because now I act like a properly socialized human being.

There are very many things I miss about Taiwan. Three months for a stay is simply not long enough; I was very much spoiled by my ten months in Germany.

Look at me, obnoxiously talking about my travels as though they were Sunday morning routines.

I’m going to unwind for the next few days, maybe sort some photos, listen to some music, read some blogs. Be with family.

That’s what this time of year is for, after all.

I am well. Many plaintive e-mails have found their way to me of late, as I’ve been all but e-nonexistent (if such there is such a state). I’ve been traveling more than usual, and this week I have several final exams, so I’ve been cramming hard.

This past weekend I spent in Tainan, a stunningly beautiful coastal city with warm, warm weather. I saw many temples, was cooked dinner by Buddhist monks, and declined an invitation to stay with them overnight so I could participate in the morning prayer. I did manage to stay for the evening prayer, though, which made for an unforgettable experience.

Today I had a written exam, for which I had to write solely in Chinese characters, by hand, with a freaking pen (typing Chinese characters is no long a problem, nor is reading, but writing? that’s another story), and that went quite well. Then this afternoon I had an oral presentation about all the traveling I’ve been doing. I’ve another, similar one on Friday.

I’m going to go out to dinner tonight and take it easy.

Till another time.

Let me preface with this: I don’t know what the hell I’m talking about. While I find this subject matter extremely interesting, I’m a total novice and nothing I say should be taken as truth.

The strokes

According to the literature and instruction I’ve encountered, every movement of the brush on paper in calligraphy falls into one of eight categories of strokes:

  1. Dian or 點: Also known as the “dot,” this is the most fundamental stroke, and is contained, at least to some degree, within all the others.
  2. Heng or 横: Horizontal stroke, present in nearly every character. Ends with dian.
  3. Shu or 竪: Basic vertical stroke, forms the core of very many characters. Is very often the first stroke in simple or very complex characters. Begins with dian.
  4. Gou or 鉤: The “hook.” Essentially an ornamental application of dian to finish off a shu.
  5. Ti or 提: A lifting motion, almost always used in tandem with a complementary stroke (such as the wan in the example below).
  6. Wan or 彎: A gently curved stroke, beginning, as usual, with dian. Often found in the bottom part of a character or radical.
  7. Pie or 撇: Short, simple stroke, similar to dian and often used to complement it (for example, in 立).
  8. Na or 捺: A weighty press with the brush, dragging out into a blade-like tip. The most dramatic stroke. Can take up a great distance and therefore allows for great expression (for example, as the bottommost radical in 近).

Interestingly enough, there is a single Chinese character that shows every stroke in action: 永 or yong. It means “eternal.”

Picture hijacked from the Wikipedia article on the Eight Principles of Yong and retouched for readability

In my first calligraphy class, I spent a lot of time grokking the dot (點). I drew dot upon dot upon dot, strung them all up in a row, made pyramids out of them. I had to at the least feign an attempt at mastering the dot before moving onto more complicated characters—which I did eventually manage to do.

Stroke order

The next point of concern was learning how to arrange all the strokes into a coherent whole. As should be expected, there’s an elegantly simple set of rules governing how to form characters. From the reading I’ve done on the subject recently, it appears that these rules primarily founded on practicality, meaning that they intend to facilitate ease of writing while ensuring clear expression. For example, characters are drawn from top to bottom, with halving strokes (shu or 竪) last, as in the character 車, below.

Image taken unaltered from the Wikipedia article on stroke order

What I found most fascinating is that since Chinese was traditionally written top-to-bottom, right-left (whereas English is left-right, top-to-bottom), the stroke order seems geared toward that mentality. China has incorporated small adjustments to stroke order in their revision of the writing system in order to accommodate for the contemporary practice of writing horizontally rather than vertically. As ever, Wikipedia knows tons about this.

Taking it home with me

Of course, the techniques I was taught for calligraphy with a brush necessitate some translation for writing with a pen in my notebook. A pen hardly allows for the level of expression that a brush does, making the na (捺) stroke substantially less fun, but I’ve found that I compensate for this lack by paying closer attention to the acceleration of curves in my writing. It’s like a whole new cursive.

Most stunningly, it’s made me completely reevaluate the way I approach writing things by hand in English. I’ve decided to dedicate some time to refining my penmanship in English, just because I realized how absolutely awesome it could be if I took the time to develop it.

I’m very happy I’ve started down this road.

As is the norm in my life, I haven’t blogged nearly enough about what’s actually taking up the bulk of my time these days. I’ve been learning freaking characters.

Rather early on in my stay here, I caught word of a calligraphy club at our university. I made sure I wasn’t going to miss an opportunity like that, and attended the first one I could. I learned a hell of a lot in just one session.

Since that experience I’ve gone on to read a lot about Chinese characters, from calligraphic technique, to character composition, to input systems on electronic devices.

In the coming days I plan to post a small series handling each of these categories.

Till then.

The Sunday Random Ten edition.

  1. Neurosis & Jarboe – Taker (#3, Neurosis & Jarboe, 2003)
  2. Tristania – World Of Glass (#8, World Of Glass, 2001)
  3. Loudness – The Night Is Still Young (#7, Biosphere, 2002)
  4. Mors Principium Est – Finality (#4, Liberation = Termination, 2007)
  5. Architecture In Helsinki – In Case We Die (#8, The Cemetery, 2005)
  6. Hierosonic – Our Own (#3, Circuits And Wires EP, 2007)
  7. Primordial – The Soul Must Sleep (#3, Spirit The Earth Aflame, 2000)
  8. Sentenced – Keep My Grave Open (#5, Down, 1996)
  9. Venom – Black Metal (#1, Black Metal, 1982)
  10. Dark Tranquillity – Still Moving Sinews (#8, The Mind’s I, 1997)

I’m rarely punctual with this meme, but it does bring me into closer contact with my music collection. I haven’t listened to old-school Gothenburg metal in far too long.

Do yourself a favor and check out Hierosonic.

For a very long time now, I’ve wanted to be a professor. My chosen field has varied a bit over the years, from comparative literature, to lingusitics, to anthropology, and now specifically to social informatics (I acknowledge that there are people who refuse to call that variance), but the dream of being a professor has been totally constant.

I remember a while ago taking an online Myers-Briggs test and getting ENTP. I get ENTP every freaking time. Here’s an excerpt describing a stereotypical ENTP:

The professor who juggles half a dozen ideas for research papers and grant proposals in his mind while giving a highly entertaining lecture on an abstruse subject is a classic example of the type. So is the stand-up comedian whose lampoons are not only funny, but incisively accurate.

ENTPs are usually verbally as well as cerebrally quick, and generally love to argue–both for its own sake, and to show off their often-impressive skills. They tend to have a perverse sense of humor as well, and enjoy playing devil’s advocate. They sometimes confuse, even inadvertently hurt, those who don’t understand or accept the concept of argument as a sport.

Cute, right?

I recently stumbled upon a rather awesome chap by the name of Taylor Mali who very much embodies the attitude I believe any educator should have. Check out this piece, uploaded to YouTube with the title “Taylor Mali on what teachers make.”

I hope you’ll agree that that’s some pretty inspiring stuff.

I won’t embed anything else, but here’s some more bitching stuff of his:

Hope he speaks to you, too.

The weather has been abysmal here lately, and I’ve been loving it. It actually is starting to feel like autumn. The temperature is dropping—a relative concept, believe me—and everyone is walking around all bundled up. I don’t have an umbrella (typhoon season saw to that), and I’ve been chastised about that, as Jhongli used to be an industrial region, and now the rain here will mess you up.

Typhoon rain, of course, is safe.

Everywhere around town there are stray dogs. Most look hale and happy, solidly fed on scraps from the nightmarket and trash from college students left around the fields around the dorm. But lately, given the weather, some have taken on a more dour mien. Today I stepped outside with some friends to enjoy some tea and watch the rain out front of our building. When I walked over to what I thought was my friend’s backpack on the ground, resting in the corner of the porch on the front of our building, I realized it was a dog curled up.

His coat was beautiful from the outdoor living: shiny, black, surely soft to the touch. A huge gob of mucus hung from his nose to the ground, spanning the height of one paw. He looked up but did not care to move. He shivered a little, and with eyes at first plaintive, then resigned, waited for me to push him out into the rain. Which of course no man on earth could do.

I don’t want to talk about how my midterm went, I want to help this dog.

American 1: “Well, what can we do for it?”
American 2 (me): “I don’t know, take it to the vet or something. But maybe that would be too expensive?”
American 1: “Maybe a grand [NT] or so? I think I’d rather pay than see a dead dog.”
American 2: “Yeah. We can do this. We can totally do this. Where can we take him?”
Taiwanese friend: “There is no place.”
American 1: “Maybe like a hospital, not for people but for animals. Is there one of those?”
Taiwanese friend: “Yes, I know what you mean, I understand. But no.”
American 2: “There’s nothing like that here?”
Taiwanese friend: “There is, yes. But we shouldn’t bother them.”
American 2: “Shouldn’t bother whom, the dog or the dog doctors?”
Taiwanese friend: “The doctors. They cannot help him.”
American 1: “But it would be more comfortable for him, he would be warm and dry, and they would give him medicine. Right?”
Taiwanese friend: “Yes, they will do that. And then, when no one comes, they will kill him.”

And I know how right he is, I know he is only speaking the truth because he’s never been taught to lie, not even to foreigners. But why?

I would so happily give up a towel or a blanket of mine for this dog. He will be gone by tomorrow and the blanket can be thrown away, having done more in an hour than it ever would have in its lifetime.

But my friend looked at me, and urged me not to offer. He did not want to embarrass me by explaining that I would not be giving a blanket, I would be asking for one. I want, still want, to fool myself into thinking that I will see the dog tomorrow, and he will be OK. Medicine without love. Alms as subscription service to heaven.

American 1: “Do you think he would be happier—would it be better for him if we took him somewhere?”
American 2: “You’d have to ask him that.”

As is routine for our afternoon tea sessions, the three of us discussed English vocabulary. “Shelter” was a word my American friend and I went to great lengths to explain had a literary cast to it.

American 1: “Shelter is the most basic of all things. We don’t say, ‘I’m going home to my shelter now.’ Home is much more, your family is there, and perhaps food, too.”
American 2: “Shelter is like how, in a storm, you want a safe place, where there is no bad weather.”

Later, right before going back inside, we had a small recap session. My Taiwanese friend pointed at the dog and, to show comprehension, said:

“He has no shelter…?”

No, my friend. No, he does not.

And now we go inside.

OK, this is starting to get old. One stupid post is really bringing the weirdos in. Thanks, sis. But there are some redeemingly cool hits in there.

Oh, and by the way, the title of the blog post contains a 3 in cuneiform: 𒐈. If it’s not displaying correctly for you, you can use this awesome site to help yourself out.

That is, of course, if you give a damn about having cuneiform display correctly on your computer. Which you probably should.

It didn’t work properly for me at first, either, but since I use Ubuntu, setting it up was as simple as typing in “cuneiform” and clicking a button.

Oh, free software, how you delight me!

The “I’m running Amarok 2 beta and it doesn’t honor my proxy settings so I can’t scrobble” version:

  1. Threshold – Slipstream (#7, Into The Light, 2007)
  2. Anthrax – Out Of Sight, Out Of Mind (#2, State Of Euphoria, 1988)
  3. Angra – Crossing (#1, Holy Land, 1996)
  4. Kreator – Awakening Of The Gods (#5, Out Of The Dark…, 1988)
  5. Death – Crystal Mountain (#7, Symbolic, 1995)
  6. Tank – Power Of The Hunter (#7, The Return Of The Filth Hounds, 1998)
  7. Bathory – Nordland (#2, Bathory, 2002)
  8. They Might Be Giants – I’m Having A Heart Attack, (#35, Apollo 18, 1992)
  9. Judas Priest – When The Night Comes Down (live), (#11, Ram It Down, 1988)
  10. Tom Waits – Rain Dogs (#10, Rain Dogs, 1985)

I actually downgraded to Amarok 1.4.10 halfway through this, because I was sick of lack the of scrobz.

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